Pluraleyes software premiere update#
Pluraleyes software premiere full#

The plugin, which automagically syncs dual-system audio, is currently available. Final ThoughtsДЄdding PluralEyes within Premiere is a major feature that weвЂ™ve all wanted since the dawn of this product and IвЂ™m glad to see that Red Giant was able to figure out a way to make that happen. Since I'm currently building a Hackintosh with the express intent of switching from Final Cut Pro to Premiere Pro - and all systems are go, so far - it's nice to know that Singular Software's amazing sound-sync plug-in PluralEyes is now available for Premiere (it was previously restricted to Final Cut and Vegas).

Pluraleyes software premiere full#

While the price tag is a bit steep for the full version, if youвЂ™re regularly working with multiple camera angles, the amount of time youвЂ™ll save is well worth the price of admission.

Pluraleyes software premiere update#

(PluralEyes 4 is the only major update to this yearвЂ™s Shooter Suite.) If you shoot DSLR, mirrorless, or on any mainstream camera that doesnвЂ™t offer high-quality in-camera recording options, you know how long it can take to sync your video and externally recorded audio. Syncing audio doesnвЂ™t need to be stressful. Be sure to give each recording device its own track. Streamline your audio sync workflow in Premiere Pro with PluralEyes. You can check out a review of the rest of the products in the suite here. Using your favorite video editing tool (PluralEyes is compatible with Final Cut Pro, Premiere Pro, Media Composer, and other leading software), create a new sequence, then add all of your shoots audio and video clips to the sequence. By synchronizing audio and multi-camera video automatically, PluralEyes revolutionizes post-production and speeds your sync in seconds rather than days. PluralEyes is available as a stand-alone purchase, or as part of Red GiantвЂ™s Shooter Suite, a bundle of products centered around logging and working with footage on location.

Pluraleyes will occasionally miss a clip or two, if itвЂ™s noisy or if the duration is just too short for it to find a sync point, but compared to the amount of time youвЂ™d spend syncing without it, itвЂ™s totally forgivable. When Adobe announced built in audio-based synchronization in Premiere a few years back, I thought maybe PluralEyes wouldnвЂ™t be around for much longer.Д«ut alas, the Adobe audio sync is pretty terrible, and IвЂ™ve seen it fail more often than it works, while PluralEyes can handle many individual clips, several angles and long durations with relative ease. Pluraleyes is still second-to-none in the performance category.